Anthology #18
In Dubious Battle, by John Steinbeck
This is possibly one of Steinbeck’s lesser-known books, and it is the first of a trilogy which focused on the Californian labouring classes; the other two being very well-known, and undoubtedly classics: Of Mice and Men (1937), and The Grapes of Wrath (1939). It is a plausible story, about the breaking of a strike by apple-pickers in the fictional Torgas Valley, but it is also an allegory, about the paranoia rampant among America’s employers & capital-holders, during the 1920s and ‘30s, as the American Communist Party became established, and began manipulating workers. I find the inevitability of the outcome of this story saddening, as the greed of the employers produces the orchestrated violence on both sides, and the workers are reduced to the status of pawns in a wider struggle, which will always be impersonal. There is an excellent, and very explanatory introduction to this volume by Warren French, Honorary Professor of American Studies at the University College of Swansea, Wales, which sets out Steinbeck’s thinking in writing this story: he might not have liked Communists, as a political organisation, but he clearly empathises with the working man: it’s so frustrating that, without a framework of national negotiation, to improve the lot of the apple-pickers, local actions such as that described here, were doomed to failure, with guaranteed casualties, no matter how noble the struggle. I’m glad to have had the opportunity to read this book, notwithstanding its dénouement, because it helps to put later events, such as Senator McCarthy’s crusade, whose repercussions are still felt today, into context for me. The paperback I read was published in 2000 by Penguin Classics [Penguin Books, London, 1992], first published in the USA by Covici, Friede, Inc., 1936, ISBN 978-0-1411-8602–3.
The Satsuma Complex, by Bob Mortimer
I was attracted to this book by the author’s name, because he is now well known for his surreal humour, in British television productions, going back to his collaboration with Vic Reeves [a character, real name Jim Moir], and I was interested to find out how much of this humour would find the way into his novel, and whether it would have a deleterious effect. I am pleased to say that he was sparing with the oddity; although the protagonist, Gary Thorn, does have something of a fixation with bananas, and he also has a habit of conducting mental dialogues with a squirrel which lives in the park close to his Peckham [London] home; otherwise, the narrative is fairly standard, to its benefit. Gary is a thirty-year old legal assistant [drawing on his own experience here] with a London firm of solicitors and, whilst classifying him as a loser might be excessive, he is definitely one of life’s under-achievers. The plot is that an acquaintance, who is a low-level operative with a firm of private investigators, goes missing, believed murdered, after having a drink with Gary; during that event, Gary meets an attractive young woman to whom he is irresistibly drawn and, although she is initially cool, they begin to develop a sort of a relationship: but is she involved, and is the private dick actually dead? If so, why? Did he have information he shouldn’t have, because it threatened the livelihood of person or persons unknown? Minor quibbles with grammar [because I’m a traditionalist], but otherwise a decently-written & enjoyable début. The hardback I read was published in 2022 by Gallery Books, an imprint of Simon & Schuster UK Ltd., London, ISBN 978-1-3985-2120-9.
The Naming of the Dead, by Ian Rankin
This book is a very dense story, much denser than from what I remember of the television dramatisation, starring the wonderfully lugubrious Ken Stott in the title rôle [better than the original, John Hannah, as I might have mentioned previously]. There are two narratives running in parallel here, although they do inevitably overlap. The first is a relatively straightforward [or as much as any of Rebus’s cases can be] serial murder inquiry; the second, perhaps more significant story is the real July 2005 G8 conference staged [used advisedly] near Edinburgh, and the associated protests and sometimes excessive police response: here, Rankin’s humanitarian concerns bleed through into the narrative, although Rebus is also clearly a humanitarian, despite occasional detours into unorthodox behaviour, which often, and without much difficulty, puts him in conflict with his superiors. Whilst not, technically, his superior, an SO12 [Special Operations, aka Special Branch, a counter-terrorism unit] officer called Steelforth [perhaps deriving unironically from James Steerforth in David Copperfield] crosses figurative swords with Rebus over the investigation of the apparent suicide of an MP and British government PPS at Edinburgh Castle during the conference meetings, so these machinations occupy a substantial quota of this 515-page book, all of which are to be savoured, if you are a Rebus connoisseur, as I am. Siobhan Clarke is also very active and, whilst champing at the bit for promotion from DS, also enters the ambit of Rebus’s Nemesis, Morris Gerald ‘Big Ger’ Cafferty, not altogether positively. Good to the last drop. The paperback I read was published in 2007 [2006, reissued 2011], by Orion Books, London, ISBN 978-0-7528-8368-7.
A Heart Full of Headstones, by Ian Rankin
Two Rebus books serendipitously found co-synchronously, but temporally & circumstantially substantially separated. John Rebus, now retired from active police work, is in court; unfortunately, this time, he is potentially receiving justice, rather than dispensing it as previously. The story is bookended by the ‘now’ section, and the court is having to operate under Scottish Covid regulations, but at the front, as it were, the charge [singular] is not specified, to whet the reader’s appetite [and keep us reading to the back, of course!]. The ‘meat’ of the story is how the ethos of Tynecastle, aka Tynie, one of Edinburgh’s police stations, has corrupted all of the officers who have been based there, including Rebus himself, for a time many years previously; although we are treated to his inner monologue about the disgust he feels for having to be compliant with this prevailing ethos for the sake of expediency: self-interest, of course. Cafferty, still Rebus’s Nemesis, is still alive, just, after surviving an assassination attempt which has left him confined to a wheelchair; this doesn’t prevent him monitoring developments in ‘his’ city, however, albeit through a strategically-placed telescope in a window of his penthouse; and by the surveillance of his minder, Andrew. Cafferty ‘asks’ Rebus to find a man he feels he wronged in the past, but then Rebus becomes caught up, unofficially [because of his retired status] in the search for Francis Haggard, a uniformed officer from Tynie: he stood accused of domestic violence to his wife of six years, but was using the defence of PTSD. When he goes missing, his current & erstwhile colleagues start worrying about whether he is going to reveal all about Tynie. The dénouement for Rebus is a charge not directly connected with the story summarised here, but as ever with Rankin’s plots, there are always connections… Another excellent story, and hopefully not the last. The paperback I read was published in 2022 by Orion Fiction, an imprint of The Orion Publishing Group, London, ISBN 978-1-3987-0938-6.