Dead at First Sight, by Peter James
This story actually precedes one I have previously reviewed here, Left You Dead, so one major decision taken by Detective Superintendent Roy Grace towards the end of this narrative might suggest a certain course of events which appears not to have been followed, according to the situation in which Grace & his entourage find themselves in the later story; having said that, this possible disjunction should not deter anyone, especially ‘fans’ of the Grace canon, from reading either story. Grace is, for the most part, ‘in a good place’, apart from the regular [and unwelcome] monitoring of his activity by his superior, ACC Cassian Pewe which, although he is generally able to ignore it, nevertheless forms an irritating background buzz to his work environment.
This story represents a return to a subject which James has tackled before: online dating, in Want You Dead; but in this one, the focus of the story is the money-extraction scams which heinous criminal organisations perpetrate, targeting lonely individuals who sign up to online dating agencies, hoping to find a partner, generally after a previous partner has died, or otherwise left their lives, so the majority of them tend to be in an older age group and, unfortunately, not always as discerning as they should be, when it comes to ‘hard-luck’ stories spun by ostensibly genuine [and obviously physically attractive, of course, going by their profile photographs] individuals who are evidently very much in love with their targets, but desperately in need of large amounts of cash, for various reasons. These schemes normally work very efficiently, fleecing the poor victims with no chance of recompense, especially as the criminal organisations tend to be based overseas, outside British legal jurisdiction, but in the story, two of the perpetrators, albeit originating from Ghana, are actually based on Grace’s ‘patch’, in Brighton.
Two women who have become suspicious about the identity of their online amours, have ended up dead: one in Germany, and the other one in Brighton; the latter one has been in contact with a local gay motivational speaker, telling him that his image has been found on several online profiles, of which he was completely unaware—this leads him to become dangerously involved in the situation. Into this mix is thrown a returning character, an American contract killer, known as “Tooth”, with whom Grace has previously come into contact, but despite being injured, managed to avoid capture & arrest by Grace. Tooth is under contract to a crime boss based in Jersey, Channel Islands, although the relationship is fractious, to say the least, and Tooth is seriously considering retirement upon completion of this contract.
As should be apparent from the foregoing, because of the number of different characters in this narrative, there are several different strands operating concurrently, but as ever, James manages to keep the action flowing smoothly, without becoming bogged down in detail, but the reader can be assured that all the procedural details have been meticulously researched, so are undoubtedly accurate. The dénouement is not reached without any hitches, but the conclusion is satisfying, and should leave the reader eager to read further instalments, ideally in sequence, but that should not necessarily be a priority. The paperback I read was published in 2019, by Pan Books, an imprint of Pan Macmillan, London, ISBN 978-1-5098-1641-5; as usual, two very helpful maps of Brighton, and the surrounding area of Sussex, are printed at the front of the book, before the commencement of the story.