State of Terror, by Hillary Rodham Clinton and Louise Penny
The fact that Mrs Clinton had been assisted by an established thriller writer for this story didn’t surprise me; I already knew of the former from her recently terminated political career, and I thought it might be interesting to discover what sort of a job she could do with a political thriller—politics at a high level being her primary area of expertise—having recently read a ‘what if?’ version of her life, reviewed here, but also without being aware of any of her other fiction writing, such as it might be: she has, according to the book’s flyleaf, written seven other books, including one with her daughter Chelsea, but from the titles, it seems most likely that they are all non-fiction [I could confirm that on t’internet, but, ya know…..], so it is probably a sensible guess that she provided the political ‘dope’, and Penny wrote it up. The latter’s name was vaguely familiar, but I soon realised that I had already read one of her books, albeit eighteen months ago [yay, memory!] and reviewed it here, A Great Reckoning.
It is jumping forward somewhat to reveal this, but I was quite gratified to discover that Penny’s primary protagonist in the aforementioned story also appears here, albeit late in the story and in a minor rôle, but as to what his involvement is, the Book Reviewer’s Code of Ethics absolutely forbids me to reveal it, so I won’t. The real identities of two of the principal characters are, to me anyway, immediately transparent: Secretary of State Ellen Adams is Clinton—having undertaken that function herself, so she should, by all rights, know what she’s talking [sic] about—and former President Eric Dunn [the story being written in 2020] is clearly Donald Trump, whose fictional character features highly in the story, although not as a main ‘player’. Adams’s personality is modelled on a former colleague in Congress, and the former’s best friend & advisor is modelled on her own best friend from school days, so they are well qualified to be realistic; Clinton also, graciously, credits her husband, “a great reader and writer [who knew? Not I] of thrillers, for his constant support and useful suggestions, as always”.
Dunn has been defeated in his reëlection attempt, and “After the past four years of watching the country she loved flail itself almost to death”, a fellow [of Adams] Democrat, Douglas Williams, has been installed as President; there’s one major problem with that, and her current position in the new administration: “It had come as a huge shock when [Williams] had chosen a political foe, a woman who’d used her vast resources to support his rival for the party nomination … It was an even greater shock when Ellen Adams had turned her media empire over to her grown daughter and accepted the post.” So: she was never going to get an easy ride—self-inflicted? arguably—and her first foray into the literal & metaphorical world of international power-brokering, in South Korea, had been at best a failure, and could easily have been interpreted by those so disposed to do so as a fiasco. Not an auspicious start; so when a bus bomb explodes without any warning during the morning rush-hour in London, Adams suspects that she is going to be tested to the extreme, and that does, indeed, prove to be the case. What follows is a tense whirlwind of globetrotting negotiations, all the while trying to locate a psychopathically murderous arms dealer and prevent him carrying out his heinous threat, when the US government has identified it.
In politics, as in the world of espionage, one of the biggest problems is knowing whom to trust, and in Ellen Adams’s world, the dangers associated with making a mistake are gut-wrenchingly great, especially when highly-placed actors [in the life-rôle sense] remain from the previous administration, and this proves to be very testing & difficult for both Adams and Williams, especially given their previous antipathy, which they have no alternative but to work through, if they are going to thwart the jeopardy. The tension racks up very nicely during the narrative; Adams’s son, his girlfriend, and Adams’s daughter, Katherine, the media mogul, are closely involved, and there is even a literal countdown for a final escalation so, notwithstanding one’s attitude toward America’s militarism & arrogant, Christianity-dominated assumption of global moral advocate status, this is an excellent, albeit simultaneously worrying [if one takes the narrative too literally] thriller for our times. Perhaps it should have ended with the classic [British television, paraphrased] Crimewatch advice: “It’s alright: don’t have nightmares!” The paperback I read was published in 2022 [2021, Macmillan] by Pan Books, an imprint of Pan Macmillan, London, ISBN 978-1-5290-7973-9.