Book Reviews


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Anthology #13

Little White Lies, by Ace Atkins

This is another story in the Spenser canon, originally written by Robert B. Parker; I have reviewed a book by the man himself, Trouble in Paradise, which features different characters, but this one is about a Boston private investigator, Spenser, who narrates the story. Like the aforementioned book, this one is relatively short, at 255 pages, but it is crisp & easy to read, with no padding. Spenser, possibly unusually for a PI, wasn’t previously a cop, but served time in a District Attorney’s office, so he is familiar with the law in his country, and has contacts in the police; he also served time in the military, so he is no shrinking violet. His latest client is a woman who has been cheated out of a lot of money by an older man, with whom she was having a relationship; the man deliberately creates an air of mystery, telling her that he was a CIA officer, among other things, so he has to be circumspect about how much of his past he can reveal. The woman was referred to Spenser by his current romantic partner, a psychotherapist. Spenser quickly discovers that the man, who calls himself M. Brooks Welles, is a very slippery character, with some potentially very dangerous associates, so Spenser has to call on some help from previous colleagues, to bring the man to justice and achieve restitution for Connie, his client. Needless to say, there is many a slip along the way, and a couple of murders for added jeopardy. Not demanding reading, but enjoyable nonetheless. The paperback I read was published in 2018 by No Exit Press, Harpenden, ISBN 978-0-8573-0191-8.

Adrian Mole: The Prostrate Years, by Sue Townsend

Yes, the book’s title is a Malapropism, but deliberate, of course. It is used by several different characters in the story, much to the annoyance of the grammar pedant [hooray!] and hero of these stories, the eponymous Adrian Mole, who is approaching 40 years of age. This, sadly, is the author’s final Mole story; she was working on a new one when she died in 2014, at the tragically early age of 68 [my own age, for a few more months]; so this story ends with our hero somewhat adrift in his own life. I want to avoid being too critical of the story, because I am at a significant disadvantage of never having read the earlier books in this series, so I only have a very sketchy awareness of Mole’s life arc. He is clearly one of life’s losers, but he appears not to have succumbed to self-pity or self-indulgence. He is on his second wife [but the family tree at the back of the book shows that he will have a third in the future], has a son from his first marriage, and a six-year old daughter at the time of writing [the diary], 2007-8; for some unknown reason [perhaps explained in earlier diaries] the narrative starts in June and ends in May. The humour is gentle, not laugh-out-loud funny, but there is some social comment woven in, betraying the author’s, presumably, socialist political leaning. An enjoyable, if lightweight read, and I will be quite happy to read more of Townsend’s now terminated output. The paperback I read was published in 2017 [2010] by Penguin Books, [2009, Michael Joseph], ISBN 978-0-2419-5949–7.

Meantime, by Frankie Boyle

This is actually quite a difficult book for me to review; I like the author as a standup comedian and presenter of topical, often controversial, satirical television shows, which usually last anything from half an hour [the latter] to an hour [the former, in edited versions]. Knowing that his performances will be viewed by a wide selection of British people [and possibly sold to other English-speaking countries] his language, in terms of his vocabulary, has to be intelligible; however, here, because the story is set in Scotland, predominantly Glasgow, he uses a fair amount of local slang, some of which takes some thinking about. He also expands his regular standup practice of describing people, and sometimes events, with colourful [and occasionally abstruse] similes: it does become tiresome eventually, suggesting to me that he is trying thus to establish his credentials as a fiction writer; perhaps he will moderate this in further efforts. The story concerns the murder of a woman the protagonist, Felix McAveety, considered his best friend, and his resolution, as the one positive thing he might have done his life recently, to find the culprit, and the motive. The investigation encompasses his regular acquaintances, plus strangers who prove helpful. Along the way, they all [very probably echoing Boyle’s own political views] muse on Scottish society, which gives a very bleak impression of a nation collectively struggling with its mental health, using a combination of legal & illegal stimulants to numb the pain of reality. Only a partial recommendation from me, I’m afraid.  The paperback I read was published in 2023 [2022] by Baskerville, an imprint of John Murray (Publishers), London, ISBN 978-1-3998-0117-1.

Night Soldiers, by Alan Furst

I feel sure that I have already read at least one book by this master storyteller before this one, but an exhaustive search of this blog’s archive [and a filterable search facility, which the dashboard doesn’t appear to have, would be a distinct advantage] didn’t locate one. This is a long book; 511 pages in the compact paperback format; but rather than a daunting prospect, it allows the author to take the time to develop in relevant detail the main character, a Bulgarian young man by the name of Khristo Stoianev and, to a lesser extent, the subsidiary characters. The narrative begins in 1934, and progresses to the end of the second world war, so quite a long period of time; it is also something of a travelogue, of the Balkan countries, but also extending as far west as France. Khristo is recruited into Russia’s NKVD, the forerunner of the KGB, after a family tragedy, but he quickly learns how brutal & murderous the ground-level politics of communism could be; however, he is an intelligent lad, and quickly assimilates, whilst not losing sight completely of his moral compass. Soon he is entangled in Germany’s war, and is able to survive thanks to a combination of cunning, colleagues, and a life-saving amount of good luck. I was slightly disappointed that the ending, whilst it was satisfactory in one respect, was rather rushed, omitting some significant details, which was something of a shame, given the time the author devoted to the relating of the main story, but that is only a minor quibble: overall I very much enjoyed this book. The paperback I read was published in 2018 [2005], by Weidenfeld & Nicolson, London, [1989, Mandarin; 1988, The Bodley Head] ISBN 978-1-4746-1162-6.

Book Reviews


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Anthology #11

Joe Country, by Mick Herron

The name of this book isn’t an eponymous singer of folk songs of questionable provenance, but a reference to the name of the meta-territory in which espionage agents operate, used by the author’s anti-hero Jackson Lamb, in the sixth episode in the Slow Horses canon—a couple of his previous stories have been reviewed here: Dolphin Junction [novella in a compendium], and London Rules. As much as any of the stories could be considered pivotal, this one definitely is, but its import is not evident until the end, when the repercussions are indicated. After the murder of one of the Slow Horses by Frank Harkness, the American father of one of the remaining ones, River Cartwright, Lamb unwisely condones [if not actively encouraging] a seek-and-destroy mission, because it becomes apparent that Harkness is back in the country, running a covert mission to murder a youth in Wales. The lad, who happens to be the son of the deceased Slow Horse, witnessed illegal activity at which a very prominent member of the royal family [no name, but not many guesses required] was present, has gone into hiding, but one of Lamb’s team, who was the dead Horse’s mistress, takes off unofficially to protect him. The dire winter weather is only one, albeit the worst, factor which causes the operation to founder for both sides. Another tense edition of this series, and well worth reading. The hardback I read was published in 2019 by John Murray (Publishers), London, ISBN 978-1-4736-5744-1.

The Purgatory Poisoning, by Rebecca Rogers

Without wishing to be pedantic, the title of this book is misleading, because the poisoning in question doesn’t happen in “Purgatory”, but in its defence, notwithstanding the alliteration, it could also be a sly pun, using the other meaning of purgatory: as an adjective. As a non-Christian, I had to be consciously objective, but if as a reader you are prepared to accept the necessary tenets of Christianity—one God: check; heaven, hell, and the eponymous Purgatory: check; angels with supernatural powers: check; then the wishful thinking element of this engaging fantasy will not be difficult to accept—in fact, you might accommodate it as perfectly plausible. Dave Walsh is dead, and he wakes up in Purgatory which is, naturally enough, difficult to accept, at first. In this he is aided by Angel Gobe, who just happens to be the image of Michael Palin [I won’t spoil this origin story] and, although the fact of his murder should not, normally, be an issue to engage God & minions, it transpires that there are “blocks” in his past, and these engage Gobe and his enthusiastic assistant, Arial, who both decide to investigate, somewhat unofficially. Revealing anything beyond that Dave’s grandparents embraced the dark side would spoil the plot, but there is a reality-based human element of all the usual emotions & pretensions here, so the fantasy is a vehicle to carry them. Light-hearted fun, aside from the religious [and, by implication, moralistic] aspect. The paperback I read was published in 2023 by HarperCollinsPublishers Ltd., London,  ISBN 978-0-0085-5302-9.

Slough House, by Mick Herron

I was lucky enough to find this book in very quick succession to the one reviewed above, and this one follows chronologically. The eponymous backwater [or Oxbow Lake?] and its unfortunate & unwilling occupants are under threat as never before. The existence of the last resort has been expunged from the, by now, customary digital records by order of First Desk Diana Taverner at Regents Park [a smaller, more secret version of MI6 HQ], ostensibly for the purposes of training her new agents in surveillance, but the rarely used old paper records still exist, and the identities of the Slow Horses are clandestinely copied, in the mistaken belief of the Russian GRU that these losers [in the opinion of Slough House chief Jackson Lamb] constitute an assassination squad. Consequently, they are being systematically eliminated by a pair of Russian killers, which comes to Lamb’s attention too late to save the first two victims. In this miasma is also Taverner’s involvement with a project to set up a supra-governmental steering organisation beyond normal oversight, with funding from unspecified, but clearly inadvisable foreign sources; plus the Yellow Vest movement, whose spokesman is being groomed for leadership by the ex-government minister at the top of the putative coup in all but name, Peter Judd, who now runs a PR company by the name of Bullingdon Fopp; and a rich young man running a GB News-style television company, also being used by Judd to promote his agenda. Fascinatingly close to reality, and very cleverly observed, and I hope the series will continue. The hardback I read was published in 2021 by John Murray (Publishers), London, ISBN 978-1-5293-7864-1.

The Dark Net, by Jamie Bartlett

I think there’s a good chance that the reaction of people to the name for this book [subtitle: Inside the Digital Underworld] will be determined by their age: people of my generation, say 50 and over, will find the concept disturbing and, possibly, even frightening [most likely influenced by the political bias of their choice of news media], but that might be mitigated by a reasonable familiarity with digital technology; adults younger than that, and older teenagers, are likely to find it less concerning, and possibly even exciting. Although the author states that he has used pseudonyms where appropriate, there is nothing to suggest that he is not using his own name, which could either be very brave, or foolhardy: take your pick. Although now a few years out of date, this a very comprehensive guide to what is available below the level of the ordinary internet; but some of that is accessible from the latter, if one knows where to look. Whilst avowedly not “a guide to illegal or immoral behaviour online”, it does cover Libertarianism [aka “Freedom”], Narcotics, Pornography [of every conceivable flavour], and even Transhumanism! I made several notes as I was reading, but to include them would make this review too long, so I can only recommend that if, rather than eliciting a knee-jerk response of revulsion at the thought of learning about it, you can put preconceptions aside, you will find this book a fascinating examination of how human nature in the twenty-first century can be given free rein to indulge in all manner of vicarious action; although that is not to condone any of the more heinous aspects which, sadly, will probably always be enacted in some form. The paperback I read was published in 2018, large print version, by W. F. Howes Ltd., Leicester [2014, William Heinemann, London], ISBN 978-1-5100-9804-6.

Book Reviews

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Anthology #4

The Wright Brothers, by David McCullough

I am reasonably confident that I will not be alone in knowing very little about Wilbur & Orville Wright, other than that they were the first to achieve powered flight, in 1903; this excellent biography redresses this for me, and it is a very comprehensive summary of the lives of these two highly industrious, but also very close individuals, who changed the world so comprehensively with their tireless & assiduous work to achieve their dream and bring it to reality. The transition from bicycle makers to aeroplane technologists might seem almost unfeasible, but they clearly had the capability & the determination to work methodically and master the physics of their project, progressing from simple kites to sophisticated & aerodynamically sound flying machines: that included the design & manufacture of their own internal combustion engines to provide the motive power; although they did have some very capable help with that. From the early struggles & failures, and daunting environmental conditions in their testing location, they battled through against some ridicule, to final success & well deserved recognition. This highly recommended book is supported by some excellent photos & diagrams. The paperback I read was published in 2016 [2015] by Simon & Schuster UK Ltd., ISBN 978-1-4711-5038-8.

Get Me The Urgent Biscuits, by Sweetpea Slight

Although I am only really a dilettante when it comes to ‘the theatre’, because my involvement hitherto has been exclusively in the amateur sector, I very much enjoy the process of acting, and I have worked with both amateur & professional actors at different levels in film & television, some of whom have become permanent & dear friends, so this memoir by a woman with the endearing nickname of Sweetpea is a captivating glimpse into the world of professional theatre in the 1980s & ’90s, predominantly but not only in London, and the personalities she encountered in her work as assistant to the indomitable and almost stereotypically eccentric Thelma Holt. Similarly to Holt, Slight had aspirations to be an actor [although Holt did work professionally as an actor, initially], but they were both aware that acting is an extremely precarious profession, so Holt moved into producing, and when, perhaps serendipitously, Slight started working near Holt, albeit on work experience, Holt saw her potential and took Slight under her wing. Thereafter, a heady whirl of work followed for the next twenty years, during which Slight had to contend with low wages but high job satisfaction, and her uncertainty about her sexuality. The book ends with Slight deciding to branch out on her own, but with no indication as to her chance of success in the future: this article throws some light on it—she is now PA to Anne Robinson [the expression “out of the frying pan…” springs to mind!] The large print paperback I read was published in 2018 [2017] by W F Howes Ltd., Leicester [Weidenfeld & Nicolson], ISBN 978-1-5100-9803-9.

Codename Faust, by Gustaf Skördeman

This is the second book in this series featuring Detective Sara Nowak, and it is set in & around Stockholm; the previous one, the author’s debut thriller, was called Geiger, and this was the codename of the spy whom Nowak unmasked. This, and other backstory details which the author helpfully feeds into this narrative, could rather spoil a potential reader’s enjoyment of the first, after reading this one, but the protagonist’s credentials are established, nevertheless. Nowak is the almost archetypal feisty, independent female police officer, prepared to bypass normal rules of procedure to achieve her goals, and she had a difficult childhood, although here she is, ostensibly at least, happily married to a successful music promoter, and his family is also very rich. She is back at work under some sufferance, after being badly injured during the operation described in the previous story, and when, beyond her acceptable jurisdiction, questionable deaths, or obvious murders of former spies start occurring, she is warned against becoming involved, but what does she do? [no three guesses required!] I wish I knew Stockholm well, or had a detailed city map, to follow the story, but that didn’t unduly detract from my enjoyment of this story, which has a clever twist right at the end. The hardback I read was published in 2022 [2020], by Zaffre, London [Bokförlaget Polaris, Sweden], ISBN 978-1-8387-7654-1.

The Cambridge Plot, by Suzette A. Hill

This is a somewhat whimsical little story; although not quite so high on the whimsy scale as the Bertie Wooster adventures; or, indeed, those of Lord Peter Wimsey, which aren’t actually whimsical. However, the title is quite a good pun, which I won’t explain here, but it should very quickly become clear, because it is applicable to 2 different strands of the story. It is set in the halls of Cambridge academe, and after a fairly protracted [but not unenjoyable] introduction, there is a series of deaths connected to the commissioning and execution of a new statue, intended to commemorate a previous, illustrious [although not to all] alumnus. This story features returning characters Professor Cedric Dillworthy, his long-time ‘friend’ Felix Smythe [a London florist who enjoys royal endorsement], and a young woman, Rosy Gilchrist, who works at the British Museum. The time period isn’t specified, but it appears to be set in the 1960s, so there is a whiff of the Miss Marple about it. The deaths are explained without any high degree of sleuthing being required, and there isn’t enough jeopardy to really set the heart racing, but that isn’t necessarily a bad thing: it is an easy read from an author who only took up writing at the age of sixty-four, after a career in teaching [so perhaps not prompted by The Beatles?]. The paperback I read was published in 2019 [2018] by Allison & Busby, London, ISBN 978-0-7490-2298-3.

Book Review

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Stasi Child, by David Young

This is the first book in this series, featuring East German Volkspolizei [People’s Police] officer Karin Müller, her deputy Werner Tilsner, and their regular companion on investigations, Kriminaltechniker [Forensic officer] Jonas Schmidt. I have already reviewed a later story, Stasi Winter, very recently and, although I do mention some of the characters’ backstory in it, because I had already previously read the first one, but not reviewed it, I thought it would be worth reacquainting myself with it, and my readers, if you feel that a more detailed knowledge of the characters’ progress would benefit your understanding of the later story [and any others in the series I might be lucky enough to find]. It is February 1975 and, notwithstanding the inevitably bleak east German winter climate, the postwar communist régime is well & truly entrenched and operating relatively efficiently, the way that communist régimes do: enforcing their control through paranoia & terror, with little enjoyment and few benefits for the Citizen Comrades.

At this point in their careers, Karin is an Oberleutnant [First Lieutenant] and Tilsner is an Unterleutnant [Second Lieutenant]; Schmidt doesn’t have a rank, as such, so his designation will not alter, for the foreseeable future, at least. At the instigation of a Stasi [secret police] officer, Oberstleutnant [Lieutenant Colonel] Klaus Jäger, they are requested to investigate an unusual incident: the body of a young girl has been found near the Wall in a cemetery in the Mitte district of Berlin, where they are based, so a short hop in a car from their offices, normally. There is something unusual about the case, though, hence the Stasi’s interest: contrary to the normal demise suffered, according to the official position, by Citizens foolishly attempting to escape the democratic paradise of the People’s Republic, the dead girl was apparently shot from the West while entering the East—the immediately available evidence appears to support this hypothesis. On closer inspection, however, certain elements arouse suspicion, plus the fact that, despite having been specifically requested by Jäger, which is supported by Karin’s superior, Oberst [Colonel] Reiniger, the Stasi’s involvement should not be mentioned, unless absolutely necessary.

The parlous state of Karin’s marriage; her husband Gottfried has only recently returned from a ‘re-education’ stint teaching at the youth reform school on the island of Rügen, in the north of the country [a location which will again feature in the later story]; and a possible infidelity with Tilsner [the complete recall of which is impossible, as a result of excessive alcohol intake the previous evening] at the start of the story, only serve to make life difficult for her: Tilsner seems to affect a blithe disregard for such complications. They have been instructed to ascertain the identity of the victim, but to disregard the circumstances causing her death; of course, telling Karin this is almost guaranteed to have the opposite effect and, before long, she realises that they will have to tread very carefully, despite Jäger’s involvement being a confusing mixture of qualified assistance and admonishment: Karin is canny enough to know that Jäger must be holding something back. Interspersed with the current action, commencing nine months earlier, is the continuing story of another later returning character: the red-haired fifteen-year old Irma Behrendt, who is a resident at the youth reform school on Rügen, whose life is made wretched by the combination of exhausting work & repressive living conditions.

Before long, Karin’s enquiries take the team to Rügen, but at this stage, Irma is not included in the investigation: it is only later, when the focus of the case moves to the Harz mountains, in the centre of the country, but the mid-western boundary of the DDR, that the connection is made. More I cannot reveal! This is a very good introduction to the series, and it lays the groundwork with all the frustrations & complications of living in a repressive country, whose régime many people still found reasons to support, but which is now looked back on with a mixture of many conflicting emotions: I will be very happy to find other stories in this series. The paperback I read was published in 2016 [2015] by Twenty7 Books, London, ISBN 978-1-7857-7006-7.

Book Review

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Judas 62, by Charles Cumming

From the strapline on the front cover of this book—“He thought the mission was over. Now Moscow has him in their [sic] sights.”—and the photo of a Lada with an obviously eastern European, possibly Russian licence plate, the reader might be tempted to assume that the 62 in the book’s title refers to the year in which the story is set. Not so: the Judas referenced is a ‘hit list’, of Russian intelligence officers, military personnel and scientists living in the West who had been targeted by Moscow for reprisal assassinations, as in the case of the real life victims Skripal & Litvinenko, to name but two. The impression is given that the author, whose name is vaguely familiar [but I am not familiar with any of his other work] knows of what he writes: in his very brief biography at the front of the book, we are tantalised with the information that “Shortly after university, he was approached for recruitment by the Secret Intelligence Service (MI6), an experience that inspired his first novel, A Spy by Nature.” So is it safe to assume that he was recruited? Presumably, he could tell us, but then he’d have to kill us…… not easy, if he is anticipating a numerous readership.

This book is the second in what promises to be some sort of a series [something I seem to be making a habit of: jumping in to a series mid-way, but given the random access nature of public library usage, inevitable], the previous one of which was called BOX88. The significance of this name might have been explained in the eponymous tome, but it isn’t here, other than to impart the information that it is “a top-secret Anglo-American spy agency” which, given the protectionist mentality of both countries when it comes to sharing secret intelligence, does seem slightly implausible, but for the sake of enjoying the story, it is necessary to suspend that disbelief: it is well worth it, however. We are also expected to swallow the fact of a young student, who had not yet graduated from university, being sent into the heart of post-Soviet Russia by BOX88 in the summer of 1993, to exfiltrate a biological weapons scientist, Yuri Aranov, who wanted to defect to the West. That being the case, this story is in three parts: the fairly lengthy narrative of the exfiltration, bookended by events in the present [2020], in which COVID is affecting everything: even the London location of the BOX88 headquarters.

When the protagonist, Lachlan Kite, who is now middle aged, but by now in a senior position in BOX88, finds out that his erstwhile cover name, Peter Galvin, is on the Judas list, assigned the number 62, hence the book’s name, naturally enough, he is concerned; the question is how this could have happened, given that there is an unwritten law in espionage that intelligence agencies do not target each others’ operatives for elimination; but also, Kite is worried for the safety of his erstwhile girlfriend, from whom he is now estranged, but who played a significant part in his covert operation in Russia in 1993. A sting operation is decided upon, to be played out in Dubai, but using better backup facilities than Kite was able to call upon previously. This is a substantial book, of nearly 500 pages, and although the infrastructure of BOX88 is not in the le Carré mould, the plotting & the characters are as believable as he might have used, so this is definitely a book which, for me, easily held my attention all the way through, and the possibility of a further story in the series is implied at the end, so I will certainly look out for another book, be it the forerunner or a sequel; and Cumming has written other series and standalone stories, so I would be happy to find any one of those. The paperback I read was published in 2022 [2021] by HarperCollinsPublishers Ltd., London, ISBN 978-0-0083-6350-5.

Book Review

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Triple Cross, by Tom Bradby

This book is the third episode in the Kate Henderson series, and it is a worthy member; the previous story, Double Agent, was reviewed here, so I won’t repeat the backstory for the latest story, or reveal the ending of the previous one, but certain inferences could be drawn from Kate’s situation at the beginning of this one. Kate has now left MI6, and the narrative commences with her on holiday in the south of France, with her two children, and her husband, Stuart, who is permitted to leave Russia temporarily; but not enter Britain, from which he is barred, on account of his earlier treachery. Her children continue to hope for a rapprochement between their parents and, surprisingly [for Kate, as much as for Fiona & Gus] this appears to be on the cards. Almost inevitably though, she becomes aware of being under surveillance while away from their gîte, and manages to lose the pursuit car with some arguably dangerous driving—especially given her passengers—but only to find on returning that the prime minister, James Ryan, has imperiously imposed a visit upon her, and she has no choice but to listen to what he has to say.

There is still a high-level mole in MI6, codenamed Dante, and Kate is to be tasked—all objections ignored—with leading an independent, but also highly secret, for obvious reasons, investigation into the agent’s identity; in the process, also, finally laying to rest any suspicions about the prime minister’s loyalty, which Kate thought had been conclusively proved by the inquiry in which she played a large part before she left the service. There are two prime suspects [although there are others including, awkwardly for Kate, of course: herself]: the current and the former head of SIS, known as C; the current C, Ian Granger, and the previous one, who was always kindly avuncular towards Kate, Sir Alan Brabazon. The links, both direct & indirect, which both of these highly qualified and very clever men had with the Russians, Igor & Mikhail Borodin, who played significant parts in the previous story, would need to be scrutinised in great detail before a decision could be reached. Kate works with a small team, one of whom is her close colleague, Julie Carmichael, but also two others over whose selection she has no choice: Shirley Grove, Ryan’s cabinet secretary [who oversaw Kate’s previous inquiry], and a young [and very hunky] assistant private secretary to Ryan, Callum Ellis.

As ever [or so we are led to believe] in the murky world of espionage and the security services, nothing can be taken at face value, and suspicious coincidences & occurrences which seem too neat or obvious must be considered extremely carefully, which leads Kate, understandably, to reëxamine all the circumstances & personal associations which led to the current situation. Before long, she realises that she has no choice but to make a trip into ‘the lion’s den’, Moscow, to obtain in person from a new agent some information which will finally & conclusively unmask Dante. Unsurprisingly, there are complications, but to reveal any more would spoil the plot: suffice to say that the dénouement, although unexpected, is conclusive, whilst leaving the door open for further instalments in the series, towards which I look forward with anticipation. The Penguin paperback I read was published in 2022 [2021] by Bantam Press, an imprint of Transworld Publishers, London, ISBN 978-0-5521-7786-3.

Book Review

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The Bourne Treachery, by Brian Freeman

Strictly speaking, this is Robert Ludlum’s The Bourne Treachery, because the original author has to be credited when a character’s arc is continued; this is Freeman’s second novel in this canon, and an author called Eric Van Lustbader has also written twelve [count them!], in addition to the, by comparison somewhat paltry, three originals. They all have a noun associated with the character’s name, so they are surely soon going to run out of credible options? I suppose we could have The Bourne Tea Party, but I digress 😉 This one was published last year, so Covid is known about, but it doesn’t play a significant rôle in the plot. These stories are pulp, to a large extent, and if you’ve seen any of the films [given that this is a very profitable franchise (aka money-making machine)] you know pretty much what to expect, but as long as you can accept some questionable ethics when justice is dispensed, they make reasonably enjoyable, albeit undemanding reading.

If you’re not familiar with the character, Jason Bourne is a skilled assassin who works for a highly secret [aren’t they all?] ’Black Ops’ organisation, called Treadstone, funded by the American government, but ultimately deniable, and it is tasked with keeping “The Free World” [i.e., America] safe, which generally involves killing people indiscriminately, if they are perceived as presenting a credible threat. Incidentally, there has recently been a television series called Treadstone, which purported to present the organisation’s origin, but I found it very confusing, the way it bounced back & forth in time, and it was difficult to keep track of all the characters, of which there were many, so I gave up on it after about half a dozen episodes. At some point in Bourne’s past, he has suffered an injury or a medical procedure which has robbed him of his long-term memory, which is a very useful plot device, because it means that characters from his past can be introduced, and he won’t know them until it’s possibly too late; although we should know by now that Bourne is a character who can’t be written off too quickly.

At the beginning of this story, Bourne is living in Paris, still unclear about much of his past, and his habits are too regular, but it is almost as if he is tempting possible assassins; Treadstone, from which he is estranged, being one of the candidates; to come after him. He does keep in touch with a particular Treadstone agent though, and through Nash Rollins he learns that his particular skill-set is wanted to neutralise a threat to one of the speakers at the forthcoming annual meeting of the World Trade Organisation in London. The threat comes from a highly skilled & dangerous assassin called Lennon, who three years ago was responsible for murdering a turncoat ex-KGB man named Kotov, whom Bourne & his erstwhile partner and lover, Nova, were exfiltrating from Tallinn, except that the ferry he was travelling on was blown up, killing many innocent people in addition to the target. This action is described in a prologue; Lennon also seems to know an uncomfortable amount of personal information about Bourne himself.

Most of the action which follows is set in London [thankfully, not London, England], and there is even a section located in a north-east coast town I know very well: Whitby! There is the obligatory Dracula reference, of course, but it is only really in passing, and it doesn’t have any bearing on the story; being an actor of ‘a certain age’, I can see that I would be just right for one of the minor characters there, were this episode to make it to the big screen [must call my agent………]. Not a classic of English literature, by any standards, but a good & engaging yarn, so if you like this sort of scenario, I would quite happily recommend this entry in the Bourne canon. The paperback I read was published in 2022 [2021] by Head of Zeus Ltd., part of Bloomsbury Publishing Plc, ISBN 978-1-7895-4658-3.

Book Review

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Silverview, by John le Carré

This is the “last complete masterwork from the greatest chronicler of our age”, according to the reliably hyperbolic blurb on the inside front cover, and it was published posthumously; this also implies that there was, or were, other works of greater or lesser merit in preparation at the time of his death on 12 December 2020. This is a relatively slight volume of 208 pages, and the eponymous Silverview is a “big house on the edge of town”; the town being an anonymous “small English [east Anglian] seaside town.” The protagonist is the thirty-something Julian Lawndsley, who has relinquished his former life as a “high-flying” City financier for the more cerebral vocation of owing a bookshop. At the beginning of the story, we encounter Lily, who has an infant son in a pushchair, delivering a secret written message to a house in South Audley Street, London, on behalf of her dying mother; the recipient of the message, Proctor, is presumably a member of the British security service. There is some doubt as to Lily’s relationship with her father, and it is not until some time after Julian has encountered the enigmatic Edward Avon in his bookshop that we are able to make the connection with Lily & her mother, Deborah: she & Edward reside at Silverview.

Avon affects English mannerisms, but Julian is immediately aware that this could be a cover for a foreign origin—and, indeed, he is revealed to be of Polish extraction, despite referring to himself as “a British mongrel, retired, a former academic of no merit and one of life’s odd-job men.” Avon persuades Julian to turn his shop’s basement into a reading room, to be called The Republic of Literature, and Avon volunteers his services to trawl the internet for rare, valuable, and possibly even abstruse volumes, for which a computer will be required: Julian is more than happy to oblige. After making the acquaintance of one of his fellow shop-keepers, Celia, he learns that Avon might possibly also have acted as a handler for some, or all, of his wife’s valuable china collection. We also learn more about Stewart Proctor, who is, indeed, in the security service, MI6 to be specific, and he has served in several locations abroad with his wife, also an operative, but who is now actively studying archaeology.

It becomes apparent that Edward Avon is under investigation, but understandably this is kept very low-key, and Proctor only introduces himself to Julian after some protracted internal debate. The element of complication in the situation is that Avon’s wife Deborah was also the Service’s star Middle East analyst until debilitated by her illness; the house belonged to her father, who was active in the Service in the second world war, and it had communications connections with the local Air Force base: these connections are still active with a more recent strategic base, although Deborah has requested that these be severed because her condition is terminal. This is about as much as can be revealed here, but it is worth noting that le Carré focuses on older operatives in this story; also, to some extent, whether Proctor considers Avon, despite his possible unreliability, or even explicit treachery, to be a better man than he, as a result of all the troubles he has survived, which Proctor has managed to avoid? Proctor’s reservations about the Service also very possibly manifest David Cornwell’s own views: I am fairly certain that he has expressed his ambivalence in interviews over the years. This is possibly a somewhat low-key swan-song; although le Carré very possibly hoped to be able to continue working for some more years, not anticipating his demise; but it is nevertheless a competent and, consequently, enjoyable completion of his canon, so I have no reservations in recommending it. The hardback I read was published in 2021 by Penguin Viking, ISBN 978-0-241-55006-9.

Book Review

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The War in the Dark, by Nick Setchfield

This is the author’s first novel, but it is a very accomplished introduction; he is no stranger to writing, as he is a writer & features editor for a “best-selling magazine of genre entertainment in film, TV and books [SFX].” This background shouldn’t automatically suggest an inspiration for the subject matter of this story, but he has evidently embraced it enthusiastically. Christopher Winter thinks he knows how the world works, at the beginning of the narrative, but he is very quickly disabused of that notion. It is October 1963, and he is an MI6 assassin, who can kill spies & traitors, seemingly without compunction, at the behest of his masters. His latest contract, a priest who is suspected of selling state secrets to the Russians, presents him with a worrying development; for a start, he doesn’t just accept his fate, like the majority of Winters’s victims, but when Winters does kill the man, after a fight in which Winters is knifed in the arm, the priest dissolves into something altogether unholy as he dies.

Thereafter, the plot becomes increasingly gothic. According to Christopher’s erstwhile mentor, and now MI6 colleague, Malcolm Hands, the priest was trading not state secrets to the Russians, but esoteric runes: apparently, secrets more powerful than the atomic bomb, and his cutout is a third man in Vienna. Sound familiar? I prefer to interpret this as a reverential ‘borrow’, rather than a lazy ‘steal’: it is a fact that Vienna was a seething hub of espionage in the cold war years, so this is not an implausible plot device. Things take a distinct turn for the weird when Winters’s ‘echo man’ [field backup] is murdered, but then his corpse appears to be still alive, and intent on killing his colleague! To add to this catalogue of calamity, Hands is ritualistically murdered, but as Christopher hopes, he must have anticipated this turn of events, and has left a clue to a dead letter drop for Winters to collect. While he is doing this, he thinks he spots his wife, Joyce, observing him, but there is something about her that also seems wrong; this disquiet is amplified exponentially when Joyce subsequently tries to kill him!

This isn’t a ‘Steampunk’ world per se, but the gothic aspects of the story do suggest some sort of overlap; as mentioned, this is effectively the real world, but the story asks the question: do we really know the world, or is there much that remains just out of sight, but lurking in wait for the unsuspecting? Chris’s world is undoubtedly falling apart, and it is morphing into something demonic. Into this mix is thrown a character known only as Hart, but in a slightly earlier time period: he is a warlock, who seems to be obsessively searching for something, and he is also disturbingly capable of killing to facilitate his quest, using bone and blood magic. There are also, probably unsurprisingly, given the subject matter, references to Elizabeth the first’s spymaster, Walsingham, his alchemist associate Dr John Dee, and Sir Edward Kelly, who was employed for the ability to scry beyond the material curtain, a facility which was, frustratingly, unavailable to Dee. A supernatural being known as the Widow of Kursk is introduced, and she seems to know Christopher, calling him Tobias: how can this be? Winter also encounters an exotic [of course!] female spy by the name of Karina, and this proves to be a fateful connection for him.

Revealing any more would undoubtedly spoil a somewhat convoluted, but nevertheless enjoyable plot, which can be a refreshing alternative to perhaps more mundane spy thrillers & police procedurals; there is also the distinct possibility that this narrative could be continued in a further story, although that is not explicitly stated. If you enjoy a dark read, which might even be ever so slightly frightening, I can recommend this book: with the special effects available to the film industry today, I think it could also make a decent film, given all the appropriate prerequisites: good casting, production, and direction. The paperback I read was published in 2018 by Titan Books, London, ISBN 978-1-785-65709-2.

Book Review

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Double Agent, by Tom Bradby

This author’s name might already be familiar to some of my British readers, given that he has worked extensively as a journalist & correspondent for the Independent Television Network, and that work has encompassed political affairs, so at the very least, it can be said that he knows of what he writes: much more than your present humble blogger, anyway. In addition to the Kate Henderson series, of which this is the second member, he has also written six other novels which, notwithstanding that he had, to 2020, been with ITN for thirty years [which is slightly belied by his annoyingly youthful-looking photograph accompanying the bio on the inside back cover], does beg the question of how demanding his ‘day job’ must be, but to be fair, and with no disrespect intended, authors who churn out piles of books, seemingly on a conveyor belt, tend to be part of a committee, rather than independent scribblers, slaving away in a garret, so it’s probably not too difficult to find a spare hour or so to commit some thoughts to an electronic record, which can then be scrutinised & knocked into shape by editors & proofreaders.

As stated, this book is the sequel to the story which introduced the character, Secret Service [possibly rather too generic a title, but no matter], but that is no impediment to an enjoyment of this story because the backstory is either detailed right at the beginning, or nuggets are drip-fed into the narrative as it progresses; this is a very common device, and perfectly acceptable, and has been adopted by television drama for story arcs [although the somewhat irritating practice of previewing the next episode at the end of the current one, “Next time!”, is now very common, and it is even more irritating in ‘real-life’ documentaries & travelogues, where it is used at the end of each segment, “Coming up!”, before the commercial break!]. That said, I would be happy to read the previous story, even though I now know the ending: there is a school of thought that we enjoy a story more when we already know the ending, so perhaps this proves it.

Kate Henderson is a senior Secret Intelligence Service, aka MI6, officer; head of the Russia Desk; and, although it is presumably more common now for women to hold senior positions in the security services, she is perhaps unusual in that her husband was also an MI6 operative, but defected to Russia because he was unmasked as a mole, codenamed Viper. This was understandably traumatic for her, so at the beginning of this story, she is still suffering the effects of the fallout from this bombshell, and only just managing to hold her work together. She is, however, lucky [possibly implausibly so?] that her aunt is the head of the Personnel Department, and spends a lot of time at her home, to help look after Kate’s two children; also an old and close friend works with her in the same department. One major fly in the ointment is that Kate has been assigned a deputy, Suzy Spencer; “slim, pretty, northern, state-educated and half Vietnamese”, who has been seconded from 5 to replace her former deputy & friend, Rav, who was killed at the unsuccessful end of the previous mission, “Operation Sigma”. This is quite clearly the result of her husband’s treachery, so it is just one more thing for Kate to be concerned about.

The ‘meat’ of the story concerns the potential defection of a senior Russian Intelligence officer, Mikhail Borodin, as well as his father, Igor, the former head of the SVR, Russia’s Foreign Intelligence Service, and his wife. This has come about by having fallen out of favour somewhat, as a result of tensions between the SVR [the successor to the KGB] & the GRU, Russia’s military espionage agency: apparently, Igor has been ousted in a coup, orchestrated by the GRU, and his colleague, Vasily Durov, is already under arrest. What would sweeten the deal is that they would supply allegedly categorical evidence that the current British Prime Minister is an agent for Russia, and has been for many years; this evidence would include financial payments, and video footage showing the man engaging in sex with underage girls, when he was a soldier in Kosovo. Naturally, there is always the chance that this evidence could be faked, so Kate knows she has to proceed very carefully, but this awareness is complicated by her suspicion that at least one of her current colleagues could also be a mole. During the action, Kate meets up with an erstwhile colleague [and old flame, natch] from her time at University in Russia, and even endures a somewhat awkward overnight stay with her estranged husband in Moscow. It’s not a bad yarn, as spy stories go, so I will keep my eyes open for other publications by Bradby. The Penguin paperback I read was published in 2020 by Bantam Press, ISBN 978-0-5521-7553-1.