The Consequences of Fear, by Jacqueline Winspear
This is a Maisie Dobbs novel, and it is one of at least fourteen by this author; there is some confusion about this number between the biography at the back of the book, and the publications list at the front, but no matter: suffice to say that this character has had plenty of outings, presumably in the same time period, which is in the early years of the second world war. She is also known as Lady Margaret, courtesy of her late husband, who died in the previous war, but for her professional work, that of an investigator, she prefers to be known by her maiden name. She lives part of the time in close proximity to her late husband’s parents, in rural Kent, but she also keeps a small flat in London, for when she is working. She also has a gentleman friend, “a diplomat of sorts. An American, working at the embassy”, but they are rather like the proverbial “ships which pass in the night”, so understandably, she worries how much longer the relationship can last.
This case starts with an apparent murder being committed on a bomb site, during the blackout on a dark night, and observed by a young messenger runner; apparently, in reality, during the war, young boys [and only boys] who could run very fast were chosen to run messages between Air Raid Precautions [ARP] dépôts, which was dangerous, especially as they were expected to continue even during bombing raids. This character was actually suggested by the work of the author’s own father, and in the story, messages are also carried between government departments and private addresses.
The boy, Freddie Hackett, tells the police what he saw, but he isn’t believed, so when the opportunity arises to tell Maisie Dobbs, he does so. Maisie also happens to work for a “secret government department spearheading covert operations against the Nazis [sic]”; again, the lazy association of the Nazis with all wartime German forces, but this is all too common, I regret to say; Maisie instinctively believes the boy, taking the commendable view that children should be listened to, counter to the still predominantly prevailing view that children should be seen and not heard. Unfortunately, nearly everybody whom Maisie tells about the incident, people she knows she can trust, tend to the view that the boy is either exaggerating, or that he dreamed the whole thing up during the stress of a bombing raid.
As the narrative progresses, and the plot unfolds, more information becomes available to Maisie to support young Freddie’s assertion, but she still encounters some official opposition, especially because her covert work is so secret that nothing can be allowed to compromise it, especially when it involves sending SOE agents into occupied France. The period feel of the story is realised well, and it is reasonable to make the main character a woman of some substance, given the timeframe, albeit not too high in society to arouse resentment when dealing with the lower orders; she is also very caring when it comes to trying to help the boy’s family escape from an abusive husband & father. Maisie finds the killer in the end, but the resolution is not as satisfactory as she could have hoped for. The paperback I read was published by Allison & Busby, London, in 2021, ISBN 978-0-7490-2668-4.